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Which leather suits which product

Tanned hides in tan, brown and grey hanging over rails.

The leather decides how a product looks on day one, how it wears after a year, and what it costs to make. Here is what each common leather is, what it is good for, and how to match it to the product you have in mind.

Start with how the product will be used

Before picking a leather by name, answer three questions about the product.

  • Does it need to hold a shape? A structured handbag or a card holder needs a firm leather. A hobo bag needs one that drapes.
  • How much wear will it take? A wallet lives in a pocket and rubs against keys. A clutch does not.
  • Will it carry a logo or a name? Smooth, firm leathers take a crisp deboss. Heavily textured ones suit foil or a metal plate.

Ten leathers, in plain terms

All of these are bovine leathers. The differences come from which layer of the hide is used and how the surface is finished.

  • Close view of tan leather with its natural grain and small wrinkles.

    Full-grain

    The top layer of the hide with its natural surface left intact. It is the strongest cut, it shows small natural marks, and it gets better looking with use.

    Best for
    Work bags, totes, wallets and anything meant to last for years.
    Keep in mind
    Natural marks vary from hide to hide, so two pieces never look identical.
  • Rolls of smooth navy and tan leather.

    Top-grain

    The same top layer, lightly sanded and finished so the surface and colour are even from piece to piece.

    Best for
    Structured handbags, wallets and large runs where every piece must match.
    Keep in mind
    It ages less visibly than full-grain.
  • Close view of grey Saffiano leather with a cross-hatch pattern.

    Saffiano

    Leather pressed with a fine cross-hatch pattern and sealed with a protective finish. It is firm and shrugs off scratches and water.

    Best for
    Structured bags, wallets, card holders and passport wallets.
    Keep in mind
    It is stiff, so it does not suit soft, slouchy shapes.
  • Close view of tan pebbled leather with a stitched seam.

    Pebbled

    Leather with a raised, rounded grain. It is soft in the hand and hides everyday scuffs well.

    Best for
    Totes, crossbody bags, slings and travel pouches.
    Keep in mind
    A deep texture softens fine debossed logos, so foil or a metal plate often reads better.
  • Tan vegetable-tanned leather pouches with cream stitching and a brass snap.

    Vegetable-tanned

    Leather tanned with plant extracts. It is firm, takes a sharp deboss, and darkens to a warm tone over time.

    Best for
    Card holders, slim wallets, straps and gifts carrying a name or logo.
    Keep in mind
    It marks with water at first and takes longer to produce.
  • Close view of soft black leather with a fine natural grain.

    Nappa

    A soft, smooth leather that drapes easily and feels light.

    Best for
    Hobo and shoulder bags, pouches and linings.
    Keep in mind
    It scratches more easily than firmer leathers.
  • Close view of brown nubuck with a fine velvet surface.

    Nubuck

    Top-grain leather sanded on the outer side to a fine velvet surface. It is stronger than suede.

    Best for
    Bags and trims where a matt, soft look is wanted.
    Keep in mind
    It shows marks and needs a protective treatment.
  • Close view of folded brown suede.

    Suede

    The inner side of the hide, brushed to a soft nap. It is light and flexible.

    Best for
    Soft bags, linings and contrast panels.
    Keep in mind
    It is not the right choice for pieces that live in a pocket.
  • Dark brown pull-up leather on a tote, lighter where it creases.

    Pull-up

    Leather finished with oils and waxes. It lightens where it bends, which gives a worn-in look from the first day.

    Best for
    Messenger bags, totes and travel kits.
    Keep in mind
    Colour shifts with handling, which some buyers love and some do not.
  • Leather samples with croc and lizard embossed prints.

    Embossed prints

    Bovine leather pressed with a pattern such as croc or lizard.

    Best for
    Handbags, wallets and accent panels.
    Keep in mind
    The pattern repeat has to be planned into the cutting.

From smooth to textured

Texture changes how a product looks and how it wears. Smooth leathers look refined and show scratches sooner. Textured leathers hide wear and feel more relaxed.

  1. Top-grain
  2. Nappa
  3. Vegetable-tanned
  4. Full-grain
  5. Saffiano
  6. Pebbled
  7. Embossed prints

SmoothestMost textured

If you have Togo, Epsom or Swift in mind

Buyers often ask for these by name. They are the names Hermès uses for three of its calf leathers, and they have become shorthand for a look.

  • Togo is a soft, pebbled calf. Ask for a pebbled leather with a fine, raised grain.
  • Epsom is a pressed grain that is light and rigid. Saffiano, or a top-grain with a fine embossed grain, gives a similar feel.
  • Swift is a smooth, soft calf. A smooth top-grain or a nappa is the closest match.

We can match the grain, colour and feel in bovine leather from our partner tannery. It will be a similar leather and not the same article, and we say so on the spec. Croc, lizard and ostrich looks are made as embossed prints on bovine leather, not in exotic skins.

Leather by product

Use this as a starting point. Most products can be made in several leathers, and the right one depends on your price point and the look you want.

ProductLeathers that suit itWhy
Totes and shoppersPebbled, full-grain, pull-upSoft enough to carry comfortably, and scuffs do not show.
Structured and top handle bagsSaffiano, top-grain, embossed printsFirm leathers hold the shape and give an even finish.
Shoulder, hobo and bucket bagsNappa, pebbled, suedeThese shapes need leather that drapes.
Crossbody and sling bagsPebbled, Saffiano, top-grainLight, and resistant to daily rubbing against clothes.
Messenger and work bagsFull-grain, pull-up, top-grainHard-wearing leathers that look better with age.
Bifold and long walletsSaffiano, top-grain, full-grainThin, firm leathers that survive a pocket.
Card holdersSaffiano, vegetable-tanned, full-grainFirm leathers keep slim pieces flat and give clean edges.
Passport walletsSaffiano, pebbled, top-grainTravel is rough on surfaces, so scratch resistance matters.
Travel kits and pouchesPebbled, pull-up, SaffianoEasy to wipe clean, and usually lined.
Gifts with a name or logoVegetable-tanned, full-grain, top-grainSmooth, firm leathers take the sharpest deboss.

Three things that matter as much as the leather

Thickness

Wallets and card holders are made from thinner leather than bags, and the edges are skived thinner still so folds sit flat. The same leather can feel like a different material at a different thickness, so it is set in the spec before sampling.

Lining and edges

A soft leather with a firm lining can hold a shape. A firm leather with painted edges looks sharper than the same leather with turned edges. These choices change the result as much as the hide does.

The sample

Photos and swatches only go so far. A sample in the actual leather shows how it folds, how the logo sits and how the colour reads in daylight. Nothing should go into production before you have held one.

How we help you choose

Tell us the product, your price point and the look you want. We suggest two or three leathers from our partner tannery, send what we can show, and make your sample in the one you pick. See what else you can specify, or send us your brief.

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